Venice Film Festival: Clooney, conflicts and competition dominate as ceremonies begin

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By Susan Hernandez - usagevpn.com
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Venice Film Festival 2026: Opening Night Highlights

Usagevpn.com – The Venice Film Festival has once again claimed the Lido for its annual eleven-day run, and the 83rd edition — closing Saturday 12 September — arrived wrapped in a mood far heavier than the usual champagne-and-flashbulb ritual. Premieres, jury sessions, and a steady stream of Hollywood arrivals filled the island’s schedule, but the opening ceremonies were shadowed by open questions about media ownership, political upheaval, and the persistent gender gap behind the camera.

Clooney Collects a Lifetime Honour and Points the Microphone Elsewhere

At 65, George Clooney received the festival’s top lifetime-achievement distinction, an honour that caps a relationship with the Lido stretching back roughly thirty years. The island has hosted some of his most consequential personal moments — the Aman Venice wedding, the premiere of Good Night, and Good Luck, the picture that earned his first directing Oscar nomination — and Wednesday’s prize-giving ceremony marked the latest chapter.

Asked to reflect on three decades of work, Clooney deflected quickly toward what he framed as civilisational problems: artificial intelligence, climate collapse, the narrowing of media ownership, and what he called a journalism crisis.

“There’s a great word, kakistocracy, which is a country run by the least qualified people. I think maybe we have a kakistocracy right now. But we’ll get through it.”

On AI’s encroachment into creative labour, he conceded the industry must adapt while keeping human authors central, then quipped that he would

“like to avoid being in a tampon commercial 20 years after I’m dead.”

His sharpest barbs were aimed at consolidation. He noted that a handful of the planet’s wealthiest individuals now control everything from The Washington Post to the social platform X, and singled out the proposed Paramount–Warner Bros. merger with open scepticism:

“a complicated thing because I don’t know how this works out, I don’t know how it goes through.”

Gyllenhaal’s Jury Speaks on Empathy, Equity, and Emergency

Jury president Maggie Gyllenhaal used her opening remarks to name the dissonance of celebrating cinema amid overlapping global crises.

“Look, we could say how are we possibly here talking about movies right now when the world is in a state of emergency. To me the answer has something to do with empathy.”

She then turned to a structural problem in the competition slate: only one feature in the main lineup was directed by a woman. Last week, the Gaza documentary NAZA — a co-directed project with a woman among its directors — was slotted in at the eleventh hour, a late addition she received with pointed irony.

“I guess it’s just finally become clear that men make better movies than women do.”

Beneath the joke lay a catalogue of systemic barriers — financing gaps, entrenched assumptions about what counts as “high art,” and chronic underrepresentation of women directors — issues she framed as requiring institutional reform rather than token inclusions.

The Competition Slate: Murdoch, Musk, and Minneapolis

Danny Boyle’s Ink opens the competition section, casting Guy Pearce as media titan Rupert Murdoch and Jack O’Connell as tabloid editor Larry Lamb. The picture dramatises Murdoch’s 1969 purchase of The Sun and Lamb’s conversion of a struggling tabloid into Britain’s best-selling daily — a narrative that lands with particular force given today’s shrinking circle of media owners across the Atlantic.

Other competition entries include a documentary profiling Elon Musk, titled simply Musk; My Undesirable Friends — Part II: Exile, which tracks independent Russian journalists reporting from Ukraine; a prominent block of Palestinian cinema; and a short film examining U.S. Immigration and Customs Enforcement operations in Minneapolis. Together the slates span continents and conflicts, mirroring the anxieties voiced on the red carpet.

Frequently Asked Questions

When does the 2026 edition end? The festival runs eleven days, closing on Saturday 12 September 2026.

Who received the lifetime-achievement award this year? George Clooney, honoured for nearly three decades of work connected to the festival.

Who presides over the 2026 jury? Maggie Gyllenhaal serves as jury president.

Which film opens the competition section? Danny Boyle’s Ink, starring Guy Pearce and Jack O’Connell.

Where can attendees follow daily coverage? Euronews maintains a rolling culture desk covering premieres, interviews, and jury announcements throughout the event’s duration.

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